Zsófia Keresztes
Zsófia Keresztes (*1985 in Budapest; lives and works in Budapest) 
Zsófia Keresztes’ sculptures speculate how the real world extends into virtuality, following both a technological understanding as well as Marcel Proust’s comprehension of virtuality, memory as "real but not actual, ideal but not abstract". Keresztes treats the virtual as something that is "as if" it were real, establishing game theories and What-If scenarios for how digital infestation becomes incarnated, how algorithms and digital avatars manifest themselves in the world and cannibalise sensation and perception.

Her sculptures and installations have recently been shown in, amongst others, at the 15th Lyon Biennale, Institute of Contemporary Art, Lyon; 100 artists in the city, produced by MOCO – Montpellier Contemporain and Mécènes du sud, Montpellier-Sète; Liquid Bodies, Philara Collection, Düsseldorf; Brno Art Open, Brno (2019). 
Éntomos, duo exhibition with Anna Holacova, GHMP Museum, Prague; L’Esprit Souterrain, curated by Hugo Vitrani, Domaine Pommery, Reims; Orient, curated by Michail Novotny, kim?, Riga / BOZAR, Brussels / Bunkier Sztuki, Krakow (2018).
Abstract Hungary, Künstlerhaus- Halle für Kunst und Medien, Graz; Afterbirth of a Dream, Meetfactory, Prague; Letting Go, Trafó Gallery, Budapest; Endless Backup, Futurdome, Milano; Textour, Künstlerforum, Bonn (all 2017); HOLYLAND, Labor, Budapest; The Dys-Picture Generation, Art+Text Budapest; The Rings Go, The Fingers Stay, Múzeum Krt. 19., Budapest (all 2016); You dreamt with straight lines, I did with curves, which had acid shadows (with George Crîngaşu, Jaakko Pallasvuo), Trafó Gallery, Budapest (2015).